Jump to content

scottmoore

Member
  • Content Count

    505
  • Joined

  • Last visited

Community Reputation

285 Spectacular

4 Followers

About scottmoore

  • Rank
    500 Club

Personal Information

  • Homepage
    www.goliveproductions.com
  • Location
    Nashville, TN

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. Just throwing out that I am seeing the same thing. Thanks for the script! It is a serious time saver!
  2. I just build them at various tilt angles and insert the symbols I need. Then it’s just a question of rotating the hybrid symbol in plan view to give me what I want. For most renderings it seems fixtures seem to end up in straight and/or fan focuses so this works pretty well and I don’t have to waste any time on focus positions.
  3. I've abandoned using Spotlight symbols for rendering for this reason. I developed a series of simple lighting symbols I use for this purpose that solve the beam origination issue. Still doesn't solve the fall-off issue, but better than nothing and definitely speed up the period of time it takes to get renderings together. Here is an image of a generic profile, a "sharpy" type fixture and a "Bee-Eye" type fixture to give you an idea.
  4. My days of exporting into visualizers is pretty much over so I may not be much help, however, I do have a suggestion. The Plug-in tools developed for VWX can be time savers, but can also cause issues as they were designed specifically to be used inside VWX before there was much concern for exporting into anything other than a DWG file. For the purposes of exporting and real-time rendering, you may be better served with direct modeling. Even the most complicated staging surfaces can be created with two simple pieces of geometry: a deck and a face. Working this way avoids any need to understand how the PIO tools are built, allows you complete control over number of vertices, complete control over how textures are created and applied and can be faster overall. Just a suggestion. a few years ago when we were exporting into MA3D, my team always talked about converting items to generic solids to avoid issues. Perhaps this can help?
  5. I’ll have to find a resource that details that concept. Sounds interesting, but it kind of hurt my brain thinking about that! Currently it’s just about the most frustrating thing ever.
  6. So, what is the point of this particular feature?
  7. I tend to forget every time. I “think” you cannot change the setting until after you select a 2D tool. It’s yet another item that pulls one away from the design process to deal with pedestrian functions.
  8. Sometime back, there was a change in the way one edits a 3D symbol. I often find myself wanting to edit 3D symbols and typically this involves using some 2D geometry to create new or modified extrudes or simply drawing lines for registration purposes. The relatively new development (seems like the past two or three versions) is that any 2D elements immediately move to the 2D component of the symbol unless you change your 2D drafting plane to "symbol definition" or (I think) "screen plane". I would really like for the default for my symbol editing to be "symbol definition" as there are next to no instances where I would ever, while editing the 3D portion of a symbol, draw 2D geometry that I wanted to immediately disappear to the 2D portion of the symbol. Every time this happens it is "undo", set the plane to "symbol definition" and start over. If I do not utilize "undo" I'll end up with an errant piece of geometry in the 2D portion. Is there a preference specifically for this?
  9. I would not bring in a venue DWG file into my working file. I always import into a blank file and then spend as much time as I can afford to clean it up. Then I just viewport that drawing (as Pat mentioned a “shuttle file”) into my project file.
  10. Mark’s suggestion for creating a “red symbol” will give you what you are looking for. You can add a label legend as well prior to creation.
  11. By the way, I would imagine the reason to have the "types of lights" embedded classes would have been more about adding color coding to those types of lights probably based on the preference of a certain shop. The real issue with the embedded classes was not having a strict naming convention in place prior to development. A simple number or letter could have solved a lot of the mess.
  12. And one other related issue; occasionally I’ll have an image based texture with a reflection added. The issue would be the image disappears and the reflection stays. For instance, instead of a nice glossy wood floor, you have a really bright white floor with a sheet of ice on it. Any suggestions?
  13. Any time you add indirect lighting and high quality anti-aliasing, your render times will be impacted somewhat drastically. I would suggest spending 30 minutes or so experimenting with glow textures. They only emit light if there is another light source in your drawing (VWX does not recognize a glow texture as a light source and as such, the general ambient light from over your left shoulder cannot be turned off) and it requires indirect lighting to really see it. The results can be really great however.
  14. Greetings. I’ve been running into issues with textures created with images. I typically use a lot of these in my work. For some reason, when rendering on the design layer, certain of these textures will disappear. It often happens every time I render. The solution seems to be to select edit for the texture specific texture to open the edit dialogue box, and then close it while doing no actual editing. this seems to rectify itself once I use a RenderWorks camera to create a viewport on a sheet layer for exporting. I have closed and reopened files in question, restarted VW, and restarted the computer to no avail. Unfortunately, it is a huge waste of time in the design process. Has anyone else seen something like this?
  15. Another approach might be to create a linear piece of geometry and apply a glow texture. You would have to render with indirect lighting enabled, but you can create some really smooth linear lighting. It often takes a really high output on the glow texture (sometimes as high as 1000+%) but the results can be pretty great.

 

7150 Riverwood Drive, Columbia, Maryland 21046, USA   |   Contact Us:   410-290-5114

 

© 2018 Vectorworks, Inc. All Rights Reserved. Vectorworks, Inc. is part of the Nemetschek Group.

×
×
  • Create New...