J. Miller Posted May 8, 2020 Share Posted May 8, 2020 Hey All, Very new to the entire world of vision. I am using the ETC EOS console to control my vision file. I have the Martin Rush Par 2 RGBW Zoom 5 channel fixture in the file When choosing colors in EOS (by Gel color) some are close but most are way off. Is this normal? I used the GDTF fixture mode from the GDTF web site. Any help would be appreciated Thanks, Jeff Miller Attached is the view of L139 mixed in the fixtures (Don't think so) Also attached is the EOS console breakdown of the color Quote Link to comment
AlexSawaya Posted May 8, 2020 Share Posted May 8, 2020 I have been working and with certain fixtures I have had problems. Check the answer they gave me, maybe it will help you understand a little. Regards. Quote Link to comment
Vectorworks, Inc Employee TomWhiteLight Posted May 11, 2020 Vectorworks, Inc Employee Share Posted May 11, 2020 On 5/8/2020 at 8:06 PM, J. Miller said: Hey All, Very new to the entire world of vision. I am using the ETC EOS console to control my vision file. I have the Martin Rush Par 2 RGBW Zoom 5 channel fixture in the file When choosing colors in EOS (by Gel color) some are close but most are way off. Is this normal? I used the GDTF fixture mode from the GDTF web site. Any help would be appreciated Thanks, Jeff Miller Attached is the view of L139 mixed in the fixtures (Don't think so) Also attached is the EOS console breakdown of the color I have noticed issues with the Rush PARS in real life not on a visualiser. It has alot to do with fixture mode. I believe the ETC colour picker is optomised for ETC LED Chipsets. The best way to check is obtain the raw RGB values for that Lee filter and enter it as absolute data and compare. Or try out an ETC fixture alongside it. I recently preprogrammed a show using ETC Coloursource profiles and Martin Rush Pars. I had to re-do all of the colour pallattes for the rush pars only at the venue. I believe this issue was due to the ETC console. Quote Link to comment
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