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David Ormsby

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Posts posted by David Ormsby

  1. The class options looks at the classes embedded in the symbol, as well as the class it's dropped into.

    So, as I see it, your symbol has 2 classes, and Gray Others (i.e. only 1 class active) is always going to gray one of the 2 classes you have going.

    Sounds like you need to either reclass your symbols, and/or create a custom class view in a Saved Sheet.

  2. OK, my design layers were at 1/160 -

    While in a DL I used Page/Layer Scale, selected 1/4" and checked All layers.

    go to a sheet layer - borders and viewports are really small. The border measures out, in the OIP, as the proper page size per my print preferences, but it has been scaled down to an inch and a half. The viewports are reporting they are the scale Iset, adn when I try another scale they stay small. It really is making the sheet itself 1/4" scale.

  3. Although I came across this using Spotlight, I feel this is a general issue;

    I was setting up a new Instrument Key, and my design Layers were at a rather small scale which makes tweaking font Sizes difficult. As I have fixtures on multiple layers, I checked "All Layers" and set the scale to 1/4".

    Well, to my surprise this changed the scale on the Sheet Layers as well, even though there is no way to change this scale while looking at a Sheet Layer!

    I had to set All Layers to 1:1, then go back and reset all Design Layers to the proper scale.

    Doesn't it make sense the Sheet layers should be locked at 1:1, and that scale commands while working in Design layers would not effect the Sheet layers? At least there should be a second check box in the Scale dialog making it optional to affect the Sheet layers...

  4. I'm not sure what the hull terms are, but I'm guessing you want a point at the bow and stern?

    When I tried drawing the complete hull, I got your results, but can you try drawing one side and mirroring? I found when drawing an open curve, the curve stayed aligned to the loci. So anywhere you need a hard corner should be a new curve.

  5. Kevin

    Thanks for the help!

    I tried working with this for a while, and I couldn't quite get it;

    If I set the criteria to count type=symbol, and I convert the truss to a symbol (position object), I do get the the name of the truss, but the length string just reads 0.

    How ever, if I set the critereia to type=PIO, I get the truss length but not the name...

    I'm closer, just not there yet.

  6. One of the draw backs to using the truss tool is the trusses don't show up in a regular Symbol count worksheet.

    Is there a way to get a worksheet give this info? i.e. I'd like to see 1 truss at 50', 1 truss at 75' etc.

    A bonus would be 1 truss 12"x12" at 50'....

    Thanks

  7. I use VW Spotlight 11.0.1 for lightplots, floorplans and modelling, and Cinema 4D for rendering.

    In VW 11, it seems that when I export a drape, using the drape tool, I get some nasty vertices along the top edge of the drape. The cinema export PI does not support nurbs, and this effect can be seen in VW by converting a drape to a Mesh.

    This seems to be much more pronounced in VW 11 than in previous versions.

    I have tried all different ratios of pleat spacing and depth, but no luck in removing the artifacts short of editing the mesh.

    Did something change in VW 11?

  8. I'm curious - are creating the viewports while you are in a design layer or in a sheet layer?

    I find that if I create the viewport while in a design layer view, what I see is what is created.

    When I'm in a Sheet Layer view I usually copy a view port, past it into a new sheet layer, then tweak my layer and class visibility for that print.

    There is a plug in ( I think I got it at Vectordepot) that turns all classes on. Doesn't seem to work in a Sheet Layer, but if you use in in the Design layer then create the Viewport that might work for you.

    BTW, the Sheet Layer's ability to run off an 8x10 pdf or a D sheet has been invaluable.

  9. Renderworks is an add on that you may have purchased with your copy of VW.

    OK I tried it again - this time using the Spot type light - set it to spread of 50 and beam of 30, and set a tilt of -40 deg and placed it in the bottom of the trough.

    This allowed keeping the light off the cieling.

    -

  10. Unfortunately, VW has a rather limited number of light types. I would recommend using a number of point lights in a row, then work with the brightness setting in the OIP to taste. Also, make sure you have Cast Shadows checked.

    I did just try this and got ok results. You do have Renderworks?

    -

  11. Walked in on an episode of CSI tonight. For what ever reason they were attending one of those killer-remote-robot derbies; in a shot of the match I'd swear one of the robots had the Vectorworks logo on the side.

    Cool

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